Tuomas Eerola

ResearcherID Scopus Author ID Loop profile ORCID

Publication Activity (10 Years)

Years Active: 2013-2022
Publications (10 Years): 12

Top Venues

PloS one

Annals of the New York Academy of Sciences

Behavioral sciences (Basel, Switzerland)

Scientific reports

Durham University

Jyvaskylan Yliopisto (PHD)

This page only lists publications with an associated author ORCID identifier.

Affiliation History

Durham University Aug 01 2013

United Kingdom

Professor :: Music

Jyvaskylan Yliopisto Jul 01 2006 - Jul 31 2013

Finland

Professor :: Music

Education History

Jyvaskylan Yliopisto Jun 01 1999 - Aug 01 2003

Finland

PHD :: Music

Publications

Annaliese Micallef Grimaud, Tuomas Eerola
Emotional expression through musical cues: A comparison of production and perception approaches. PloS one 17 (12) (2022)
Annaliese Micallef Grimaud, Tuomas Eerola
Emotional expression through musical cues: A comparison of production and perception approaches. PloS one 17 (12) (2022)
Annaliese Micallef Grimaud, Tuomas Eerola
Emotional expression through musical cues: A comparison of production and perception approaches. PloS one 17 (12) (2022)
Mark Reybrouck, Tuomas Eerola
Musical Enjoyment and Reward: From Hedonic Pleasure to Eudaimonic Listening. Behavioral sciences (Basel, Switzerland) 12 (5) (2022)
Annaliese Micallef Grimaud, Tuomas Eerola
Emotional expression through musical cues: A comparison of production and perception approaches. PloS one 17 (12) (2022)
Annaliese Micallef Grimaud, Tuomas Eerola
Emotional expression through musical cues: A comparison of production and perception approaches. PloS one 17 (12) (2022)
George Athanasopoulos, Tuomas Eerola, Imre Lahdelma, Maximos Kaliakatsos-Papakostas
Harmonic organisation conveys both universal and culture-specific cues for emotional expression in music. PloS one 16 (1) (2021)
Tuomas Eerola, Jonna K Vuoskoski, Hannu Kautiainen, Henna-Riikka Peltola, Vesa Putkinen, Katharina Schäfer
Being moved by listening to unfamiliar sad music induces reward-related hormonal changes in empathic listeners. Annals of the New York Academy of Sciences 1502 (1) (2021)
Imre Lahdelma, George Athanasopoulos, Tuomas Eerola
Sweetness is in the ear of the beholder: chord preference across United Kingdom and Pakistani listeners. Annals of the New York Academy of Sciences 1502 (1) (2021)
Tuomas Eerola, Kelly Jakubowski, Nikki Moran, Peter E Keller, Martin Clayton
Shared periodic performer movements coordinate interactions in duo improvisations. Royal Society open science 5 (2) (2018)
Johanna Maksimainen, Jan Wikgren, Tuomas Eerola, Suvi Saarikallio
The Effect of Memory in Inducing Pleasant Emotions with Musical and Pictorial Stimuli. Scientific reports 8 (1) (2018)
Tuomas Eerola, Henna-Riikka Peltola
Memorable Experiences with Sad Music-Reasons, Reactions and Mechanisms of Three Types of Experiences. PloS one 11 (6) (2016)
Petri Laukka, Tuomas Eerola, Nutankumar S Thingujam, Teruo Yamasaki, Grégory Beller
Universal and culture-specific factors in the recognition and performance of musical affect expressions. Emotion (Washington, D.C.) 13 (3) (2013)

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Publication Activity (10 Years)

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Tuomas Eerola